We convoke for Dido and Aeneas in an arched tunnel a city block long, lit by candles in the many recesses.
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With only a few weeks left to slice up our pumpkins and track down the perfect Luigi for our Mario, the timing seems right for a pair of Gothic operas set in a crypt.
Composer/librettist David Hertzberg’s The Rose Elf, which gave its world premiere in the Green-Wood Cemetery Catacombs last weekend, is indeed a marvel of elfin proportions.
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