A quick review of statistics for 2013 reveals your top ten favorite parterre pages for the year, cher public.
Utterly scientific polls follow the jump.
One startling upset catches the eye among the many winners (if that is the word) of the 2013 Parterre Box Awards.
It’s time to vote on the The 2013 Pubie Awards, cher public.
Congratulations to Bryan Hymel (right), winner of the 2013 Olivier Award for Outstanding Achievement in Opera “for his performances in Les Troyens, Robert Le Diable and Rusalka at the Royal Opera House.”
Following up on last night’s information dump of the (overdue?) Met season announcement for 2013-2014, La Cieca has obtained a somewhat more detailed rundown.
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
Twentieth century opera just can’t get a break in Dallas, it seems. La Cieca has just heard that the company, which 86ed Katya Kabanova from their 2011 schedule, has just canceled Salome (slated to star Deborah Voigt) from fall 2013 plans.
And so Wim Wenders will not be directing the bicentennial Bayreuth Ring cycle in 2013, in 3D or any other kind of D. In that case, who should be chosen to wrap his or her Regie around this massively high-profile project? There’s a poll right after the jump. [Stern]
The updates on Brad Wilber‘s new Met Futures page are arriving almost daily now, with perhaps the most startling recent news the “removal” of Juan Diego Flórez from a projected new production of I puritani in April 2014. But there’s more to it, after the jump.
La Cieca has just heard (from no less a source than Sarah Billinghurst herself!) a tidbit that will no doubt interest Daniel Stephen Johnson among many others. It seems that the Met will produce Prince Igor in 2013 with Valery Gergiev (naturally) conducting and Dmitri Tcherniakov directing. The Prince himself will be Ildar Abdrazakov.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
