It appears that La Cieca has finally acknowledged that there is more to opera than high-voiced divas: tenors can be pretty amazing as well. As such, we’ve declared Mario del Monaco week at Unnatural Acts of Opera. The celebration begins this evening with the first act of Puccini’s La fanciulla del West, the 1954 Florence…
STEMdiva status
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
Soprano Renate Behle is jumping into the NYCO’s Ariane etBarbe-Bleu, replacing the “injured” Carol Vaness. And while you’re catching up on the company’s casting and repertory for the fall season, do make a point of checking out the NYCO’s site’s multimedia “trailers,” written and narrated by dramaturg Cori Ellison.
Which suave singer, perhaps distracted by his not-so-noble legal problems, suffered a meltdown at a public master class this weekend, repeatedly snarling “motherfucker” at his startled students? Shocked witnesses swore that the event should have been retitled “I hear America swearing!”
… down at Carnegie Hall. Or will be, on October 14, when the soprano performs a solo recital at the venerated venue. Details are sketchy at the moment, but La Millo is always good for golden-age tone and demeanor. Diva-fanciers should find themselves either run ragged or in heaven that week (depending on the quality…
The notorious 1969 Met broadcast of Lucia di Lammermoor, featuring Anna Moffo in, uh, unusual voice, will be webcast by Concertzender this afternoon beginning at 1 PM EDT. Sorry for the late notice, but this is worth at least a partial listen. For those of you who keep up with these things, Nicolai Gedda and…
Gold, Silver and Bronze Medalistsin the Helen Traubel lookalike contest Goetterdaemmullet!
La Cieca has to think of a new term that means “information I didn’t previously know, but at the same time is not at all surprising.” For example, Jane Eaglen belches backstage and wears peculiar shoes — per Trrill.
Vivaldi’s Motezuma, the opera that refuses to die, will grace the boards after all, says an article by Paul Moor at Musicalamerica.com. A court in Duesseldorf has held that the Altstadtherbst Festival in that city may stage the piece, regardless of a previous injunction against performances filed by the “copyright owner,” the Berliner Sing-Akademie. (The…
La Cieca has just heard that Carol Vaness has canceled her performances of Ariane et Barbe-Bleu at the New York City Opera this fall due to “injury.” The opening night of this Dukas production is scheduled for October 6, less than six weeks from now, and the word is that NYCO is scrambling rather intensely…
“While humor and story telling can warm any occasion, a good scoop spreads through a room like an illicit and irresistible drug, passed along in nods and crooked smiles, in discreet walks out to the balcony, the corridor, the powder room.” La Cieca is delighted to learn that gossip is the new meth, at least…
La Cieca is no longer alone in the podosphere. She has just been informed of the debut a podcast “designed for rabid opera fans everywhere” by a new girl on the block, Mme. Stella Maria Krazelberg von und zu Brabant. Details on the first episode (“As the Fur Flies – Bitchin’, Brawlin’ Biker Chicks”) may…
This week on “Unnatural Acts of Opera,” a 1998 live performance of Gomes’ opera Maria Tudor conducted by Luis Fernando Malheiro. The heroine of this opera (based on a rather improbable play by dear Victor Hugo) is the Queen of England known to history as “Bloody Mary.” As depicted by Gomes, Maria is regal, highly…
Anna Netrebko is Anne Welles! Rolando Villazon is Lyon Burke! On the silver screen, every thrill, every shock of the best-selling novel by Jacqueline Susann! Uh, make that “the best-selling opera by Giuseppe Verdi…
This week on “Unnatural Acts of Opera,” the kind of performance you just don’t hear any more: a “provincial” production of Manon from the New Orleans Opera, starring Montserrat Caballe. Like I said, this kind of thing just doesn’t happen these days. And did you hear about the 16 year old who sang Carmen last…
“When his career began, he was singing opposite women old enough to be his grandmother, he said – but female leads are now young enough to be his granddaughter.” Thanks, Leporello, make a note of that in your book, will you? Placido Domingo is close to retirement.
La Cieca has been listening to so much good singing lately that she almost forgot there was such a thing as filth. Don’t worry, it’s still around, and filthier than ever. Mara Zampieri, anyone?
It occurred to La Cieca that she might be well advised to listen (with her mind and with her ears?) listen to the music files she’s posting into her podcast “Unnatural Acts of Opera.” Not that there are technical problems with the source materials, oh, no, never that, but rather she thought she could start…
Due to the sensitive yet detailed nature of the following item, La Cieca thought it would be amusing (not to mention safer) to present it in the enigmatic manner of “One Blind Vice,” Ted Casablanca‘s gold-standard column: Leggy Artiste commandeers a whole range of roles, French and otherwise, but lately she’s been panting for a…
La Cieca’s fingers are trembling as she types these words because she has only just learned that amazing, awesome, authentic Aprile Millo will take on the title role of Leoncavallo’s Zaza for New York’s Teatro Grattacielo this fall. This latest installment in La Millo’s matriculation at the School of Verismo transpires November 12, 2005 at…
Which intendant was hoping to steal away from the city of his current post, either to that American A-house, that chic summer festival, or even that international theater so beloved of Alberto Vilar — but, alas, lost out on all three deals owing to a bad case of loose lips?
La Cieca notices that those lovely people over at Berkshire Record Outlet are offering what might fairly be called a plethora of opera performances on DVD, for just $8.99 a pop. Particularly drool-inducing selections include La Grande-Duchesse de Gerolstein (Regine Crespin), Lakme (Joan Sutherland), Carmen (Denyce Graves, Roberto Alagna), Un ballo in maschera (Carlo Bergonzi,…
Imagine a world where alarm clocks dictate when to go to sleep…. where ugliness is beautiful… where it is a crime to make anything perfect… and where the cheap seats at New York City Opera cost $45.00. Welcome to the Bizarro World, arriving this fall at the New York State Theater. NYCO has jacked up…
At first glance, the photo from San Francisco Opera’s Billy Budd looks like any other opera featuring Nathan Gunn, i.e., pug nose in profile, chin a-jut, freshly waxed chest front and center. But on closer inspection, it turns out that Billy is getting a tweak from Mr. Squeak: “Warm as a sailor’s pants, gay as…
This week on La Cieca’s podcast Unnatural Acts of Opera, we hear Virginia Zeani and Giuseppe Gismondo scale the verismo heights of Mascagni’s Il piccolo Marat. This 1962 performance also stars Nicola Rossi-Lemeni and Afro Poli; Ottavio Ziino conducts.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.