[kml_flashembed movie=”http://www.youtube.com/v/75-2OB8Bm04″ width=”425″ height=”350″ wmode=”transparent” /]

on January 31, 2009 at 11:24 PM

The Acts grow ever more Unnatural as La Cieca introduces the fourth and final segment of Adriana Lecouvreur. Later in the show, we hear Magda Olivero making a debut at an age when most people are ready to retire! Unnatural Acts of Opera

on January 31, 2009 at 5:59 PM

[kml_flashembed movie=”http://www.youtube.com/v/96ytTCComaA” width=”425″ height=”350″ wmode=”transparent” /]

on January 31, 2009 at 10:29 AM

Is it just La Cieca, or does someone at the New York Times have it in for Stephanie Blythe? Not the story by Anthony Tommasini, which is standard worshippy stuff — but the photos!

on January 30, 2009 at 10:52 PM

This is from last night. La Cieca should note that she was not at this performance (1/29/2009), but a member of the cher public armed with an iPhone was. The clip is presented for the purposes of discussion. Tombe La Cieca will begin the discussion by noting that the scene is performed down a half…

on January 30, 2009 at 8:31 PM

The operatives were busy over the midnight hours: “Act 3 was a mixed bag. The opening showed Villazon in much better form, with solid phrasing. The Mad Scene started out beautiful, Netrebko spinning out haunting legato. She was completely involved and engaged. Then she fell apart at the flute solo, sounding under supported and wavering…

on January 30, 2009 at 8:09 AM

UPDATE: And now the reactions to Act 2: “Villazon continued to struggle.  Pushed upper register and passaggio. High notes he seems to accomplish (or in some cases misses) by sheer will of force. Aside from a beautiful legato in the sextet, his voice is very worrisome.  Netrebko has bloomed in this act, acuti seemingly in…

on January 29, 2009 at 10:17 PM

Mom of the Moment Anna Netrebko and her weapons-grade bazooms are featured in an interview with the Post’s Barbara Hoffman.

on January 29, 2009 at 12:49 PM

La Cieca hears that tonight’s Lucia at the Met will be the criterion for deciding whether one or both of the leads might be replaced for the final two performances of the run including the HD telecast February 7. La Cieca, alas, cannot be in the theater tonight, drat that pesky root canal, so she…

on January 29, 2009 at 8:21 AM

La Cieca has obtained some exclusive footage from the first camera rehearsal for the upcoming HD telecast of Lucia di Lammermoor from the Met.  Extra rehearsals, she hears, have already been called! [kml_flashembed movie=”http://www.youtube.com/v/6Wg04e24UPc” width=”425″ height=”350″ wmode=”transparent” /]

on January 28, 2009 at 5:03 PM

Cher public, a number of you have written asking how you can post links to YouTube videos in your comments. La Cieca is continuing to research the situation, but here’s a preliminary solution. When you are copying and pasting the URL of the YouTube video into your comment, omit the http:// , beginning the address…

on January 28, 2009 at 4:30 PM

This looks like fun.

on January 28, 2009 at 9:45 AM

La Cieca has just heard that Opera Orchestra of New York will cancel the remainder of their 2009 season, which was to have consisted of Rienzi on March 19 and Medea on April 21.

on January 28, 2009 at 8:15 AM

To finish the run of Lucia, including the HD. Just a guess, mind you.

on January 27, 2009 at 5:29 PM

For those who are interested, the following clip will help establish the tonality of Rolando Villazòn‘s final aria last night. Rolando’s key (This clip was sent to La Cieca by a member of the cher public who prefers to remain anonymous. The clip is provided for discussion purposes only.)

on January 27, 2009 at 1:32 PM

“It’s been long enough, Ephraim.” JudyCast has decided to join the human race again!

on January 26, 2009 at 4:26 PM

A new feature just introduced on the Met’s website allows customers to view and select exact seats available for a given performance. It’s handy for those of us in the audience who prefer a certain row or area, but another less obvious benefit is that the online maps offer a snapshot of how ticket sales…

on January 26, 2009 at 12:52 PM

Your doyenne dusts off her singing pipes and then welcomes a guest from the Great White Way into our luxurious new Sunnyside studios, all as introduction to the third act of Adriana Lecouvreur starring Magda Olivero, on this week’s Unnatural Acts of Opera. Adriana Lecouvreur, Act 3

on January 25, 2009 at 6:13 PM

All the way from exotic Portland, Operaman writes: Yesterday I attended the Met HD transmission of Orfeo ed Euridice and, once I have told you my reactions and feelings about this show, I cannot wait to hear what members of your cher public who saw or heard it have to say about it. And I…

on January 25, 2009 at 2:58 PM

Far too easy, or at least far too straightforward, was last week’s Regie quiz. From the very beginning Lindoro and many others recognized Pfitzner’s Palestrina. The very handsome production was seen recently at the Bavarian State Opera. Christian Stückl was the director and Stefan Hageneier the designer. Is this week’s quiz a trifle more challenging?…

on January 25, 2009 at 1:40 AM

But you might call it deconstruction avant la lettre. [kml_flashembed movie=”http://www.youtube.com/v/rarkvZ4Cc0A” width=”425″ height=”350″ wmode=”transparent” /]

on January 25, 2009 at 1:15 AM

La Cieca is perhaps a little slow on the uptake these days.  Your dimwitted doyenne only just noticed (when it was pointed out to her, that is) that the conductor for Anna Netrebko‘s return to the stage at the Mariinsky on January 14 was Keri-Lynn Wilson. Ms. Wilson is of course not only a distinguished…

on January 24, 2009 at 6:38 PM

Heldentenordiva Jon Villars (center, in mohawk) “basically fired himself by walking off the stage” at a public dress rehearsal for the Canadian Opera Company’s production of Fidelio. According to a report in The Globe and Mail, Villars stormed off stage immediately after conductor Gregor Buhl “loudly sang out a few phrases of the tenor’s part”…

on January 23, 2009 at 5:04 PM

La Cieca is naturally drawn to a headline reading “Upheaval at the Opera House” as bees to honey or ugly to a bear. Imagine her surprise, then, when the titular upheaval has nothing to do with Dallas Opera, the New York City Opera, La Scala, or even the Met. So far as she can make…

on January 23, 2009 at 2:18 PM