Benjamin Yarmolinsky’s The Constitution: A Secular Oratorio, performed by Vertical Player Repertory on Thursday evening, was an awful lot of legal speak for one evening.
It is much to be regretted that song recitalists stick to the tried, the true, the excessively familiar when the repertory of song is so vast, so full of treasures ready for the light
An extraordinarily rich variety of opera happens locally, under the umbrella of New York Opera Fest.
In how many operas does the heroine drink poison and then go lengthily mad?
“Playthings of the Gods: Essential Myths,” the Vertical Player Repertory’s evening of Monteverdi, Britten and Milhaud, heard October 8, was a satisfying treat. The soloists were excellent, although the venue, Christ Church Cobble Hill, had overwhelmingly boomy acoustics and robbed the audience of any nuance in the voices.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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