The flawless, classical singing style of Perry Como. Perry Como?
Nearly 70 years after its debut, A Streetcar Named Desire remains the greatest stage-to-screen adaptation of all time.
Shirley Booth‘s Amanda reminds us again of her astonishing range, and truly unique (yes, a word I hate, but I mean it here) ability to mix heartbreak and humor in the same breath.
La Cieca is sure that her cher public will not want to miss Sunday morning’s (4:30 AM) screening of the camp classic Yes, Giorgio. This 1982 crossover attempt by Luciano Pavarotti (from tenor to matinee idol) must have sounded like a good idea at the time, but, fortunately for music lovers, the film flopped mightily,…
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