“This isn’t an opera that touches on queer themes; it’s a bundle of queer themes tied up in an opera.”
Composer Philip Venables talks about queer utopias and bending gender and genre in The Faggots and Their Friends Between Revolutions which opens at the Park Avenue Armory this week.
Surely you agree that piano concerti are inherently political.
It began with charming modesty.
Sitting in Park Avenue Armory last week for the American debut of baritone Konstantin Krimmel, the rush of joy I felt was two-fold.