Setting it ablaze
Tamara Wilson completes her first Ring Cycle as Brünnhilde next month, and Parterre Box celebrates with a clip of her in Siegfried.
Tamara Wilson completes her first Ring Cycle as Brünnhilde next month, and Parterre Box celebrates with a clip of her in Siegfried.
Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
Supported by an ingenious production and strong performances, Antonia Bembo’s Ercole Amante makes a successful Paris Opera debut.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
Led by a mesmerizing Anthony Roth Costanzo, Satyagraha at the Paris Opera dispenses with historical particularities for something for more elusive.
Ten years since the death of countertenor Brian Asawa, Charles Stanton remembers his friend and corrects the record on his untimely passing.
Golda Schultz soldiers through illness at the New York Philharmonic.
Kent Nagano gives a boost to the Opéra national de Paris‘s revival of Nixon in China.
The Ralph Fiennes production of Eugene Onegin at the Paris Opera is just…fine.
With Siegfried, the directorial vision of the Paris Opera‘s Ring cycle finally takes root.
I had the pleasure of attending Manon starring Lisette Oropesa and Benjamin Bernheim at Opernhaus Zürich this past October.
Tamara Wilson and Stanislas de Barbeyrac are the standouts in Calixto Bieito’s underwhelming Die Walküre in Paris
Shirin Neshat‘s Aïda in Paris is a typical instance of what happens when an artist is brought in to direct an opera.
Les Brigands at the Paris Opera is an expensive joke that never lands
Asmik Grigorian pulls a hat trick in Puccini‘s triple bill recorded (and reviewed) last month in Paris
Krzysztof Warlikowski‘s Der Rosenkavalier at the Théâtre des Champs Elysées surpasses even Nigel Wilkinson‘s high ‘WTF threshhold’
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’
Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion
Jessica Pratt sings the title role in a live broadcast from Trieste
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