Bye bye baby
Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”
Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”
Henze‘s opera in a live broadcast from the Maggio Musicale Fiorentino
Seven Deadly Sins, Mahagonny Singspiel, and The Songs of Happy End live from Milan
George Benjamin‘s opera live from the Accademia Nazionale di Santa Cecilia in Rome
John Yohalem wraps up Donizetti Month at parterre box with a look back at nearly six decades of Donizetti operagoing.
A live broadcast from Milan of the world premiere of Francesco Filidei’s opera based on Umberto Eco‘s novel
Corinne Winters dons the habit in a live broadcast of a unique double bill from Rome
Jessica Pratt sings the title role in a live broadcast from Trieste
A live broadcast from Florence starring Lidia Fridman in the title role
Pascal Dusapin‘s dynamic and demanding traversal of Dante‘s Commedia arrives at the Paris Opera
Donizetti wrote so much great music, it’s hard to single out a favorite opera, or even a preferred aria!
Florian Leopold Gassmann‘s rare comedy live from Milan
The opening night of a new production live from the Teatro dell’Opera di Roma.
Prompted by Washington Concert Opera’s upcoming Luisa Miller, Chris Cache’s misbehaves five times by offering just the opera’s final act with sopranos from the 1970s, some of whom might be considered “under-appreciated”: Gabriella Tucci, Adriana Maliponte, Renata Scotto, Gilda Cruz-Romo, and Katia Ricciarelli.
A performance recorded earlier this year at the Teatro Regio di Parma.
Larry Wolff continues his musings on Verdi’s varied career, this time over Giovanna d’Arco at the Teatro Regio in Parma
A live broadcast from Florence’s Maggio Musical Fiorentino
Revivals of Falstaff in Milan and Don Carlo in Naples have Larry Wolff thinking across the six decades of Verdi‘s career
The forces of the Teatro La Fenice in a performance of Respighi‘s opera recorded last spring at Venice’s Teatro Malibran
Carmen Giannatasio sings her first Minnie, under Riccardo Frizza, in a live broadcast from Bologna.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.