Vanessa is spare and compelling in Heartbeat Opera’s production.
The vivacious MANON! at Heartbeat Opera makes a strong case for the return of opera in translation.
A high-drama Vanessa by the Boston Symphony Orchestra offers something to believe in.
R.B. Schlather‘s shadowy production with Heartbeat Opera at the Williamstown Theatre Festival proves that Vanessa might be coming into its own at last
In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
With tight, jazzy orchestrations, a queer-coded Mephistopheles, and sassy modern recitative, Heartbeat Opera’s fast 100-minute Faust delivers Gounod in miniature, minus some of the schmaltz.
Only disordered and volcanic intellects need apply for this beautifully deranged production of Salome from Heartbeat Opera
Double double, toil and trouble, y’all, and happy spooky season from Slaylem. (It’s like Salem, but fun.)
But pressing questions remains: Why? Who is this Figaro for?
Bergamo hosts an annual Donizetti festival, Salzburg presents a Mozart-woche every January, and of course there is Bayreuth for Wagner. But Handel gets two festivals every spring, and this year I was finally able to attend one of them.
On May 2, Rebecca Herman‘s conceptualizing of Carmen was a significant departure from the traditional depiction of a marginalized “other,” maintaining a traditional staging in Seville.
If it didn’t all work, it wouldn’t work at all.
A nonstop flow of COVID related announcements from New York City performing arts organizations has swept the city the past weeks.
Part vaudeville, part opera concert and part drag ball, Heartbeat Opera’s pageant was like a cup of eggnog spiked with a dash of LSD.
Like many composers of his generation, Ernest Chausson was enthralled by Wagner and he too turned to legend for his only opera, one that would consume him for final decade of his brief life.
Nathan Hull was an operatic Quixote who did not go it alone, but inspired bands of optimists, giving proper employment to the many worthy New Yorkers mad enough to study voice and pleasure rare elsewhere to those of us thrilled to take it in.
Lady M, an Online Fantasia on Verdi’s Macbeth, Heartbeat Opera’s creative and thought-provoking foray into the Zoom opera scene, left me feeling alternately pensive, hopeful and somewhat uneasy, in a good way.
Ester, Liberatrice del Popolo Ebreo was presented in concert on Thursday night by Salon/Sanctuary Concerts in the Brotherhood Synagogue on Gramercy Park, in proper time for Purim.
Heartbeat Opera has set Der Freischütz in a contemporary era, in a rural locale where gun culture reigns supreme and bullying is natural.
Blind Injustice is a masterpiece, brilliant theater.
Today the good guy finally gets his chance with San Giovanni Battista by Alessandro Stradella featuring Christophe Dumaux as John the Baptist.
Heartbeat is, after all, a company that loves to tinker.
Cio-Cio and Carmen: what do you do with two tragic heroines who typify not just the sexist clichés, but also the soupy exotic fixations, of the Old-World West?
Regina Opera almost completely fulfilled its mission Saturday afternoon with their production of Manon Lescaut.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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