I sort of have a love/hate fascination with countertenors/male falsettists.
Diana Soviero chats with Roger Pines about six decades of performing, four decades of teaching, and how she’s handing the tradition off to the next generation.
It would be generous to say that history comes alive on the operatic stage.
If Florida Grand Opera can survive the critics, the company need have no fear of the recession! Singing, direction sink opera Leah Partridge provides fleeting sparks in lackluster “Lakme”
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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