Lips together, teeth apart
Mr. Peabody, that Leonardo among canines, claimed she was suffering from toothache.
East Coast
Night and dreams
At the Opernhaus Zürich, the coat check is not optional.
Be my guest!
James Levine turns 72 this year. Even though his health has improved considerably in the past year and he may continue to conduct for a decade or more, it seems inevitable that he will step down as the Met’s Music Director sometime in the next few years to assume the role of Conductor Laureate.
Drop dead diva
My first experience with John Corigliano’s music was in high school with the ear and mind blowing score he wrote for Ken Russell’s film Altered States.
Females on the beach
Karita Mattila is a gift to this planet.
Door to door
The Met’s planned premiere of Iolanta/Bluebeard’s Castle was cancelled due to the Great Blizzard That Wasn’t.
Alt folks at home
A Countertenor Cabaret, starred no fewer than 14 of these once-rare songbirds, in the cabaret space of the Duplex on Sheridan Square.
When I am down to earth
What does it mean anyway to get to know a diva, and why exactly would we wish to do such a thing?
Wish upon a star
At what moment does a “rising star” become simply a “star”?
A wasted time
Vittorio Grigolo in the title role of the Met’s revival of Les Contes d’Hoffman is the opera version of the charming homeless drunk.
Rock-a-bye your baby with a pentatonic melody
It seems almost comical to think now but the designer-director Jean-Pierre Ponnelle, who died in 1988, was at one time considered the height of regie-theatre scandal.
The year in Dawn
For my 2014 retrospective, I’ve chosen two shows from the past year that are returning in 2015 and that really shouldn’t be missed by NY-based-and-visiting parterriani.
The year in Corwin
New York City isn’t a bad place to live, operatically-speaking.
The year in Yohalem
My memory is fading but the events I recall most vividly of the last season seem largely to have been concert performances.
Moody’s blues
Last week, Moody’s Investor Services delivered yet another piece of yet another piece of bad news for the Metropolitan Opera.
Saxon violence
His shaved head in striking contrast to his dark beard and glinting eyes, the implacable Tartar conqueror glowers at us from the CD cover, while the uncropped photo of countertenor Xavier Sabata (above) is even more disturbing, featuring his raised fist and forearm tightly wrapped in a leather belt.
Lost and found
Verdi must have gotten tired of tossing and turning by now and has gone back to resting in peace.
Capitol gains
Clemency tends to get a bad rap these days, as polities demand swift action by leaders whose mandates to govern are violently threatened by “terrorists.”
Daggers are a thane’s best friend
A Birnam Wood of Macbeths and Ladys has come traipsing through New York this year.
Moon and stars
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
Revival meeting
For many in New York and around the world, if the name William Christie appears on a concert or opera program, it’s a must-attend.
Bows and arias
Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).