T’amo ancora qual t’amava in basso stato T’amo ancora qual t’amava in basso stato

As this is “Donizetti Month” here on parterre box, Chris’s Cache offers the recently deceased Paul Plishka and Opera Orchestra of New York with Carol Vaness in Anna Bolena and with Mariella Devia in the rarely heard Adelia.

Se non è vero, è ben ‘Trovatore’ Se non è vero, è ben ‘Trovatore’

Chris’s Cache offers up a quintet of intriguing “forgotten” Leonora-Azucena pairings from the 1970s.

Mad and madder Mad and madder

With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.

Lakmé Lakmé

One of Mariella Devia‘s earliest New York successes: Delibes’s Lakmé with Nicolai Gedda and Paul Plishka.

Bell de jour Bell de jour

Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé 

Victorious, happy and glorious Victorious, happy and glorious

Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.