This is what trauma looks like This is what trauma looks like

Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.

Sing of happy, not sad Sing of happy, not sad

Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.

The green hills of home The green hills of home

The principal cast members for the week’s Aida are all Wagnerians: Birgit Nilsson, Sándor Kónya, Rita Gorr and Cornell MacNeil.

Deine Divadienste will die Frau Deine Divadienste will die Frau

I wish to introduce our younger Parterrians to the magical Martha Mödl to commemorate the opening of the Bayreuther Festspiele which opens tomorrow afternoon. 

Festive days Festive days

There has been a conspicuous absence of chat on Parterre about this year’s Bayreuther Festspiele.

He writes the songs He writes the songs

Klaus Florian Vogt is a singer oft discussed at parterre pox, but few have had the opportunity to hear him, especially those in the USA.

Rédempteur à toute vitesse Rédempteur à toute vitesse

This week, Our Own Jungfer Marianne Leizmetzerin presents what is perhaps the briefest Bühnenweihfestspiel on record.

Ring?  What ring? Ring?  What ring?

All right, I admit it; I finally broke down and read the program notes for the Ring in the Bayreuth program book.

Flame off Flame off

First things first: working from the limited evidence of half or less than half of Frank Castorf’s production of the Ring, I don’t see any evidence of contempt for the audience or whatever you want to call it.

First impressions First impressions

There are some productions that “introduce” themselves quite clearly early on: for example, the Patrice Chereau Ring puts it cards on the table very frankly with the image of the hydroelectric dam populated by grisette Rhinedaughters.

Regie, redeemed

Stefan Herheim’s production of Parsifal for Bayreuth is the regie Holy Grail—a production that completely fulfills the promise and purpose of Regietheater.

transfiguration

At very long last, the final act of Tristan und Isolde. Act Three Tristan – Spas Wenkoff, Isolde – Catarina Ligendza, Brangaene – Yvonne Minton, Marke – Karl Ridderbusch, Kurwenal – Donald McIntyre, Melot – Heribert Steinbach, Steuermann – Heinz Feldhoff, Hirte – Heinz Zednik. Carlos Kleiber; Bayreuther Festspiele, 30 July 1976.