Wien to me Wien to me

Orfeo’s 150 Years box chronologically documents some of the finest nights of live opera from the Wiener Staatsoper in the years following its restoration in 1955.

Everytime we say goodbye Everytime we say goodbye

Gather around while I play Ghost of New Year’s Eve past!

Gelt trip Gelt trip

With the help of our friends at ArtHaus Musik, the Deutsche Oper Berlin have really been emptying out their archives and that’s certainly all for the good.

When in Rome When in Rome

Giovanni Battista Pergolesi’s only opera for Rome was written to an existing libretto by the great Pietro Metastasio, L’Olimpiade, which had already  been set by Vivaldi the year previously.

The Prussians are coming The Prussians are coming

Sometime in 1753, Frederick The Great of Prussia, following a tiff with his great friend Voltaire, began writing an opera libretto in French prose that was to elucidate his ideas about the role of an enlightened monarch.

Bottom dollar

In Robert Carsen’s 2004 production of La traviata for Teatro La Fenice, the Prelude is staged.  During this haunting music, we see Violetta lounging on a huge bed while more than a dozen men pay her for her services with wads of oversized dollar bills.  By the time Act One begins, the bed is virtually covered…

Worth the wait

Arthaus Musik has released on DVD a superb 1963 “Historical Studio Production” of Der Konsul, a German language filmed version of Menotti’s 1950 opera, The Consul. It is a dark, harrowing vision of Menotti’s “denunciation of all forms of tyranny”, beautifully sung, superbly acted, and directed with an almost film noir/expressionistic style by Rudolph Cartier.…

Oh, them olden slippers

The ArtHaus Musik DVD of the Deutsches Nationaltheater/Staatskapelle Weimar production of Wagner’s Das Rheingold, stage directed by Michael Shulz, begins with a long still shot: That’s right, this interpretation of Wagner’s epic 19-hour cycle kicks off with a long static shot of… some dirty red boots. It’s gonna be a long Gesamtkunstwerk.

Love, without music

I need to state right off the bat that I have never been one to worship at the altar of Maria Callas. While I can acknowledge her greatness, there are many other singers whom I prefer in the Bel Canto repertoire. So I was skeptical when I began watching Callas Assoluta from ArtHaus Musik.