La Traviata offered a cast of fresh debutantes and an uncommonly strong musical performance that could hardly be bettered.
I grew up with the Anna Moffo recording of Luisa Miller, so it was fortuitous that the Met gave the premiere of a new production in 1968, around the time RCA released the album.
A clearly moved Hvorostovsky basked in the moment and momentarily broke character to acknowledge the love.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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