Pelléas and Mélisande are not transparent to themselves. Which means: they each have an unconscious.
Jean-Paul Fouchécourt is an irresistibly self-absorbed sea-nymph in Rameau’s Platée which also features a dazzling star-turn by Mireille Delunsch as La Folie.
Sometimes the fates conspire, preventing an artist from recording the role for which he is his generation’s touchstone.
Among several fine productions at Aix this summer, Dmitri Tcherniakov’s brilliantly conceived and executed Carmen proved a game changer.
While Bernard Herrmann is remembered primarily for the seven films on which he collaborated with Hitchcock, he also composed one opera: Wuthering Heights, written between 1943 and 1951.
Last year, La Cieca dedicated a blog post to a production of Salomé scheduled to take place in the Palais Opéra in Liège, with two surprising late career debuts by June Anderson as Salomé and Kammersängerin Mara Zampieri as Hérodiade. Now, a year later, I could not resist La Cieca’s request for a review, especially…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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