On the party platform
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
31 pieces since 2012 — in 17 roles, at 12 companies, most often at Metropolitan Opera.
2 pieces as Don Pizarro — stats above show all coverage for Tomasz Konieczny.
View allDon’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
Fidelio, which opened last week at the Metropolitan Opera, will always be relevant, I fear.
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