Stormy weather
Looking at the Houston Grand Opera’s 2018/19 season, I think Hurricane Harvey subconsciously must have had an impact on the choice of operas.
7 pieces since 2019 — in 5 roles, at 4 companies, most often at Metropolitan Opera.
Looking at the Houston Grand Opera’s 2018/19 season, I think Hurricane Harvey subconsciously must have had an impact on the choice of operas.
Lise Davidsen, Michael Spyres, and Yannick Nézet-Séguin are astonishing in Tristan und Isolde at the Met, while Yuval Sharon‘s new production is anything but.
Eleanora Buratto at this fully matured point of her career has a warm, creamy full lyric soprano that has the roundness and sweet warmth of a Freni but can also expand into the spinto power of a Tebaldi.
The term “narrative prosthesis” refers to the tendency for works of literature to use disability as the conflict upon which the whole narrative hinges. Herman Melville’s Moby-Dick is a quintessential example of “narrative prosthesis.”
For the weeks between the announcement that the return of Wolf Trap Opera would, in part, take the form of a concert performance of Sweeney Todd and its opening at the Filene Center on Friday evening, I racked my brain: why Sweeney now?
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