Aix tremendae, salva me
Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
9 pieces since 2016 — in 7 roles, at 3 companies, most often at Metropolitan Opera.
2 pieces as Papageno — stats above show all coverage for Sean Michael Plumb.
View allFestival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
While the Met’s Mozart-lite holiday production of The Magic Flute kept the eyes entertained with spectacular sets and costumes, the scattershot casting and lack of musical seriousness dragged down this opera for beginners.
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