In my end is my beginning
In San Francisco, an autumnal Renée Fleming proves she can still work her magic with Strauss’s Four Last Songs.
3 pieces since 2022 — at 1 company, most often at New York Philharmonic.
In San Francisco, an autumnal Renée Fleming proves she can still work her magic with Strauss’s Four Last Songs.
A joint Beethoven–Adams program conducted by Dima Slobodeniouk suggests a way forward for the embattled Boston Symphony Orchestra.
The New York Philharmonic podium has been occupied the past two weeks by Finnish conductors once thought to be top contenders for the ensemble’s music directorship.
Minutes into “An die Nacht,” the first song Friday night, I realized how much I’d missed being enveloped in that seductive Straussian combination of a soprano (or two or three) rising higher and higher over a surging orchestra.
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