Psychic gestures
Rolando Villazón opens up about his production of La sonnambula, how he develops characters, and what makes opera dance.
47 pieces since 2005 — in 13 roles, at 4 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Rolando Villazón.
View allRolando Villazón opens up about his production of La sonnambula, how he develops characters, and what makes opera dance.
A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.
Chris’s Cache offers Nadine Sierra and Xabier Anduaga, the stars of the upcoming production of La sonnambula, in a performance of another favorite bel canto opera
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
La Cieca presents an open letter from a parterre box reader.
It’s no easy easy task to “re-review” one of the most discussed and scrutinized opera productions of the last few years. Mary Zimmerman’s mise-en-scène of Donizetti’s Lucia di Lammermoor has been extensively examined since it was chosen to inaugurate the 2007/08 season of the Metropolitan Opera, provoking very mixed reactions both from the professional critics […]
The operatives were busy over the midnight hours: “Act 3 was a mixed bag. The opening showed Villazon in much better form, with solid phrasing. The Mad Scene started out beautiful, Netrebko spinning out haunting legato. She was completely involved and engaged. Then she fell apart at the flute solo, sounding under supported and wavering […]
Rolando Villazon not apparently in his very best form but La Cieca is very impressed with a) his willingness to sing out and take chances even when he is less than 100% and b) his well-supported legato that is the basis of even his most vehement singing. Anna Netrebko found a way to interpret Gilda […]
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