Wolf Trap Opera concluded its 2025 summer season last month with a production of Carmen that was vocally strong, though not entirely dramatically satisfying, amid challenging weather.
A main theme in Becky Nurse of Salem is how history is distorted by those who get to tell it.
Those of us who were hoping for “a star is born” performance were, alas, disappointed.
In Charlie Parker’s Yardbird, an opera based on the famed jazz musician’s life, the title character asks, “So if there is a God, why does the negro suffer? Is my prayer, my music lesser, smaller in God’s eyes?”
This past Tuesday, Cincinnati Opera presented its first world premiere in over 50 years with Morning Star by Ricky Ian Gordon and William Hoffman.
Nathaniel Hawthorne, the repentant Puritan—that is, he repented that his family had once been Puritans—describes the voice of Rappaccini’s Daughter, Beatrice, as “rich as a tropical sunset, … which made Giovanni, though he knew not why, think of deep hues of purple or crimson and of perfumes heavily delectable.”
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