The flip side of filth The flip side of filth

To the extent that singers should be considered stewards of their repertoire, equating bad singing to whatever “verismo” is will only be to the detriment of verismo.

Thoughts on <em>La Gioconda</em>: the others Thoughts on <em>La Gioconda</em>: the others

Yes, there were other Giocondas if not of quite the same distinction. Chronologically…

Thoughts on <em>La Gioconda</em>: Tebaldi Thoughts on <em>La Gioconda</em>: Tebaldi

Renata Tebaldi had one major advantage over Milanov and Callas (and most other sopranos): she was Italian.

Divine intervention Divine intervention

The second half of Warner Classics’ Maria Callas Live Remastered set represents the years 1954 to 1964 in the career of La Divina.

Prendete questo fiore Prendete questo fiore

A much-loved diva overdue for this site is Anna Moffo.

Superglottal Superglottal

In attempting to get a little bit of everything onto my Mixcloud page, I realized that I inadvertently neglected some essentials: 1) Leyla Gencer 2) La Gioconda.  

queen of the pirates

Leyla Gencer: The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, Renata Tebaldi, Renata Scotto, Montserrat Caballe, and Magda Olivero, all of whom shared roles in her repertoire. Ironically, Gencer has a number of important credits attached…

Queen of the Pirates

[This article originally appeared in the print zine precursor to this site, one of a series of surveys of live recordings by critic Leila de Lakmé.] Leyla Gencer. The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas,…