The head on the cake plate The head on the cake plate

John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista

The Bible meets Edward Albee The Bible meets Edward Albee

The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.

Master of monumentality Master of monumentality

On this day in 1987 the Met raised the curtain on Franco Zeffirelli‘s production of Turandot.

Infrequent flyers in unfamiliar skies Infrequent flyers in unfamiliar skies

Jonathan Dove’s Flight, which premiered at Glyndebourne in 1998 and is now being streamed by the Seattle Opera, is structured like one of those baroque extravaganzas where some half dozen characters find themselves (in every sense) on a magical island, its properties little understood.

For a few dolors more For a few dolors more

LoftOpera’s accurately but unpromisingly named Pergolesi & Vivaldi stumbled rather than soared.

Home brew Home brew

An extraordinarily rich variety of opera happens locally, under the umbrella of New York Opera Fest.

Ezio said than done Ezio said than done

Ezio was an inspired choice for Boston’s feisty Odyssey Opera to open its “When In Rome” festival.

The Roman stain The Roman stain

Gotham Chamber Opera stumbled so badly Friday night with Francesco Cavalli’s 1668 Eliogabalo at The Box, it was hard to know whether to feel sad or angry—or both.