The Roman stain
Gotham Chamber Opera stumbled so badly Friday night with Francesco Cavalli’s 1668 Eliogabalo at The Box, it was hard to know whether to feel sad or angry—or both.
8 pieces since 2013 — in 5 roles, at 4 companies, most often at Catapult Opera.
Gotham Chamber Opera stumbled so badly Friday night with Francesco Cavalli’s 1668 Eliogabalo at The Box, it was hard to know whether to feel sad or angry—or both.
John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista
The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.
Jonathan Dove’s Flight, which premiered at Glyndebourne in 1998 and is now being streamed by the Seattle Opera, is structured like one of those baroque extravaganzas where some half dozen characters find themselves (in every sense) on a magical island, its properties little understood.
An extraordinarily rich variety of opera happens locally, under the umbrella of New York Opera Fest.
Ezio was an inspired choice for Boston’s feisty Odyssey Opera to open its “When In Rome” festival.
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