Led by a mesmerizing Anthony Roth Costanzo, Satyagraha at the Paris Opera dispenses with historical particularities for something for more elusive.
Everything’s coming up mélodie! As the pandemic rages on and new lockdowns have thrown large-scale performances into disarray, record labels have been releasing new albums of French art song by the bucketload.
As suggested in Part I of this piece, to experience Glass’s Satyagraha as a purely aesthetic experience is unfortunately to succumb to a romantic ideology promoting detached reflection on art which is wholly inapplicable to such a politically-charged opera. The idea that Gandhi’s action-oriented philosophy would be packaged and sold for the sake of passive…
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