Where imitation ends
Daring reimaginings of Cocteau and Wilde take the stage at the Los Angeles Philharmonic.
1 piece since 2015.
“Protect the dolls, they say, but who really cares for them?” This question, posed by performer Mara Snip during the postlude of Neuköllner Oper’s 1000 Airplanes on the Roof, had a clear answer: Aliens.
At the Opernhaus Zürich, the coat check is not optional.
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