Boston Lyric Opera’s shows, of late, are often going to war with their texts.
Phil Chan described his point of departure for reimagining Orientalist works as the question, “what else could this be?”
Before rehearsals for Madama Butterfly started, Phil Chan sat down with the box to chat about his production, opera’s cultural appropriation problem, and why the last thing he’s trying to do is cancel Puccini.
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