It struck me that Jamie Barton’s voice is not dissimilar to a Henry Moore sculpture: grand and monumental but never brash or ostentatious; eccentric and offbeat but always graceful and tastefully molded.
Antonacci’s singing is remarkably beautiful for one who clearly doesn’t make that a top priority.
The best part of Paul Appleby’s recital for the Philadelphia Chamber Society came in his last two groups.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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