By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.
Sondra Radvanovsky changed my opinion of her through a single performance—I’ll never think of her the same way again; the power of her singing overwhelmed my previous impressions.
He returned. He sang. He didn’t get hanged.
The sound of Joyce DiDonato, Lawrence Brownlee and John Osborn nailing La Donna del Lago’s thrilling second-act trio alone made worthwhile enduring one of the ugliest, most bone-headed productions seen at the Metropolitan Opera in many a year.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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