Nicholas Tamagna

12 pieces since 2011 — in 8 roles, at 7 companies, most often at Pocket Opera of New York.

12 pieces
8 roles
7 companies
16 years

Role Armindo

Role Farnace

Teen spirit

Not everything a genius creates is … a work of genius. Y’know? Mozart, for example: Sure, he was a prodigy at four, and at ten, and even at fourteen, but did he actually compose anything spectacular before he turned, say, seventeen? I’m thinking of “Exultate, Jubilate,” if you want to know. 

By 22 comments

Role Goffredo

Role Narciso

Role Pan

Sexual perversity in Gowanus

It is a thousand pities Francesco Cavalli never saw Some Like It Hot. A tale of convoluted romances, cross-dressing, immoral moralizing and a divine diva would have been right up his alley, or rather, Venetian canal. As staged by Vertical Players Repertory in a back alley around the corner from the Gowanus Canal in Brooklyn’s […]

By 21 comments

Role Rodrigo

Role Ruggiero

In the realm of the senses

Pornography being the seminal [sic] art form of our time, through which every other art is interpreted (I lament this, but what can you do?), and opera being in one of its periodic up-cycles, new ones being composed and premiered, old ones being dusted off for re-use, and stage directors feeling impelled, as they do, […]

By 10 comments

Role Ulisse

Mode and moderne

Wednesday afternoon, Pocket Orchestra New York’s new PONYmobile presented a guerrilla performance of sorts in a most unlikely space, the XES Lounge in Manhattan, where designer Joel Yapching‘s BOOK homme debuted its Spring/Summer 2012 collection to the strains of Monteverdi’s Il Ritorno d’Ulisse in patria. 

By 6 comments

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