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The women were the highlights of Washington National Opera’s militaristic Aïda
36 pieces since 2008 — in 21 roles, at 12 companies, most often at LA Opera.
5 pieces as Ramfis — stats above show all coverage for Morris Robinson.
View allThe women were the highlights of Washington National Opera’s militaristic Aïda
Brendan Latimer sits down with Francesca Zambello and members of the cast of Washington National Opera’s production of Aïda to discuss the complicated legacy of one of Verdi’s most beloved works and the tricky business of “inventing the truth.”
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
With Boston Lyric Opera’s largest opera production of the season already well behind us, the one-off semi-staged gala performance of Aïda held on Sunday at Emerson College’s Colonial Theatre to support the company’s vast education and community engagement apparatus, was a particularly enticing entry on the Boston cultural calendar.
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