Best in snow
Lyric Opera of Chicago resumed its season on Wednesday evening with the new-to-Chicago production of Puccini’s perennial audience pleaser La bohème.
71 pieces since 2009 — in 18 roles, at 11 companies, most often at Metropolitan Opera.
10 pieces as Rodolfo — stats above show all coverage for Michael Fabiano.
View allLyric Opera of Chicago resumed its season on Wednesday evening with the new-to-Chicago production of Puccini’s perennial audience pleaser La bohème.
The Stars of Lyric Opera weren’t under the stars last night, prevented by a persistent cloud bank, but they nonetheless provided a stirring evening of music in Chicago’s Millennium Park.
La bohéme returned to the stage of the Metropolitan Opera once again last night (does it ever leave?)
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
I grew up with the Anna Moffo recording of Luisa Miller, so it was fortuitous that the Met gave the premiere of a new production in 1968, around the time RCA released the album.
Angela Gheorghiu‘ s idiosyncratically alluring, sometimes maddening, always fascinating Floria Tosca inevitably became the evening’s unmissable raison d’être.
Gala this; gala that; who knew rich people wore clothes so badly?
I would love to contribute a top ten list but I didn’t even go to ten things this year.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
Imagine the good fortune of attending La Bohème with someone who’s never seen it!
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