Nothing makes me feel better than The Cunning Little Vixen
The opera is life affirming, but also recognizes that life comes to an end.
6 pieces since 2016 — at 1 company, most often at New York City Opera.
The opera is life affirming, but also recognizes that life comes to an end.
A recent discussion here about Gianna Rolandi prompts Trove Thursday to present the American soprano in a rare trouser role in an even rarer opera, Cimarosa’s Gli Orazi e I Curiazi paired with Anna Caterina Antonacci.
Saturday night I navigated the Music Center concourse, or what’s left of it with it’s seemingly eternal construction to the main plaza, wending my way to the Dorothy Chandler for the opening night of LA Opera’s Hansel and Gretel.
Jacques Offenbach’s Les contes d’Hoffmann has had a bumpy ride to its pride of position in the current French repertoire.
Mimìs, Violettas, and Cio-Cio-Sans may live, love, and meet their ends without a tear from me, but I have never left a performance of Janácek’s The Cunning Little Vixen dry-eyed.
The Hänsel und Gretel discussions over the holidays plunged me down a YouTube rabbit hole.
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