Salvation for the savior
Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.
7 pieces since 2008 — in 4 roles, at 5 companies, most often at Royal Opera House.
Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.
A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.
Member of the cher public Max writes: Don’t know if you’ve gotten reports on this yet, but Jonas Kaufmann‘s Cavaradossi at the Royal Opera (May 23) was singing like I haven’t heard since young Domingo (only Domingo never had that kind of ease on top). You could feel the waves of sound from his “Vittoria” […]
Brian Jagde‘s creative and charismatic Calaf was almost enough to make up for his counterpart Martina Serafin’s distant portrayal of Turandot.
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