Teatro Nuovo pays tribute to a historic New York production of Don Giovanni with a talented ensemble.
In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride
I had some trepidation about attending Terence Blanchard’s opera Champion because the “sport” of boxing has never appealed to me.
Baritone Will Liverman is becoming a real Renaissance man.
The success of Porgy and Bess at the Met forced bass-baritone Eric Owens, the newly installed director of vocal studies at the Curtis Institute, to cancel a long-planned afternoon recital at the school on February 16.
As we also saw last year, Festival O19 ended on a sweetly quiet note, movingly connecting Opera Philadelphia with the larger city and our musical future.
The second summer session of the Russian Opera Workshop concludes this week with concert performances of Tchaikovsky’s Maid of Orleans.
Under any circumstances, the Russian Opera Workshop’s radiant concert performance of Tchaikovsky’s Iolanta would have been an event to celebrate.
Curtis Opera ventured Sweeney Todd.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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