The servant of two last names The servant of two last names

“In over nine years you’ve never posted an opera by Ermanno Wolf-Ferrari,” no one has ever said.

Dazzling both ways Dazzling both ways

On this day in 1978 the Metropolitan Opera presented a new production of Massenet’s Thaïs.

“A Teutonic Zaza” “A Teutonic Zaza”

On this day in 1928, the Metropolitan Opera presented the American premiere of Richard Strauss‘s Die Ägyptische Helena with Maria Jeritza in the title role.

Burning and bitter beauty Burning and bitter beauty

On this day in 1927 the Metropolitan Opera opened its 1927 season with a revival of Turandot featuring Maria Jeritza and Giacomo Lauri-Volpi.

Double cross Double cross

Sonya Yoncheva’s first-ever Princess Romazov was one of this summer’s casualties but Trove Thursday steps up with a rare 1960 in-house pirate of Giordano’s Fedora starring Renata Tebaldi, Giuseppe di Stefano and Tito Gobbi along with a pair of Tebaldi-di Stefano Puccini highlights from the early 1950s.

Storm of the century Storm of the century

A sense of celebration was definitely in the air last Thursday at the Vienna State Opera.

I had too much to dream last night I had too much to dream last night

Erich Wolfgang Korngold’s Die Tote Stadt in a 1967 Vienna broadcast appropriately featuring three American stars: John Alexander, Marilyn Zschau, and George London.

Going Hollywood Going Hollywood

The Hollywood Bowl is truly the preeminent musical venue in Los Angeles.

Il core vi dono Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.

Trick or trill Trick or trill

With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.

You stepped out of a dream You stepped out of a dream

One of opera’s great “what ifs?” is what would young Erich Wolfgang Korngold have contributed to the repertoire had the likes of The Adventures of Robin Hood not beckoned him to Hollywood?

In Bruges In Bruges

They say that Boston, despite many cultural distinctions, ain’t no opera town, and for some decades—generations?—this has been true. But tides of change will break, even on the shores of the Hub.

Female on the beach Female on the beach

Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking  form here.

Shadow, no doubt Shadow, no doubt

Richard Strauss’s “last romantic opera,” as he called Die Frau Ohne Schatten, is and has always been a problem child.