Kaija Saariaho’s spectral, shattering Innocence makes its Metropolitan Opera debut.
The score for Innocence was menacing yet comforting, and, essentially, violent and peaceful at the same time
I was overjoyed by the coincidence that Santa Fe Chamber Music Festival would be presenting Façade.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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