Fully immersive
Now the opera world can have a taste of what an immersive opera looks like, as Opera Parallèle opened their spectacular world premiere of Everest: An Immersive Experience .
12 pieces since 2010 — in 9 roles, at 7 companies, most often at Santa Fe Opera.
Now the opera world can have a taste of what an immersive opera looks like, as Opera Parallèle opened their spectacular world premiere of Everest: An Immersive Experience .
“Once upon a time / Lived a foolish king. / Mocking Death, his crime, / Pure chaos he bring.”
It’s a place where the one thing you can expect is the unexpected. The place is… Philadelphia?
Two opera houses, both alike in dignity (but less so in resources and international fame) launched their seasons this week, making similar out-of-the-box choices: new works on edgy, contemporary themes.
A revival of Huang Ruo’s M. Butterfly, a co-production between the Barbican and BBC Symphony Orchestra, landed in London last week.
The great Dalai Lama once said, “whenever there is a challenge, there is also an opportunity to face it, to demonstrate and develop our will and determination.”
Though orchestrally lavish, this “semi-staging” delivers less theater than no staging at all.
Washington National Opera offered a shellshocked D.C. some much-needed diversion Saturday night, with a new production of La Fille du Regiment.
A painter’s nightmares of death start to become real. A man’s lover dies of a flesh-eating plague and inhabits the body of a new young fling. A TV news anchor finds herself on the other side of the headlines, drowning in the Holland Tunnel. If Edgar Allan Poe were alive today, these are the operas […]
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.