Bringing up Bondy
The more ignorant segments of the public and the critical establishment continue to shout praise to David McVicar‘s torpid Tosca as the greatest triumph of the reactionary since the Bourbon Restoration.
80 pieces since 2006 — in 20 roles, at 10 companies, most often at Metropolitan Opera.
6 pieces as Tosca — stats above show all coverage for Karita Mattila.
View allThe more ignorant segments of the public and the critical establishment continue to shout praise to David McVicar‘s torpid Tosca as the greatest triumph of the reactionary since the Bourbon Restoration.
The Met got exactly what it asked for: a safely opulent, resolutely unchallenging Tosca that was far from shabby or little but couldn’t have been less shocking
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.
So the question was raised (on opera-l, actually, but La Cieca doesn’t mind discussing it in more downmarket venues): in Luc Bondy‘s production of Tosca, Karita Mattila appears in the third act in an entirely new outfit, a sort of tailored trenchcoat of dark leather-like fabric, but whatever she’s wearing, isn’t is a mistake?
Four of the cher public caught yesterday’s HD presentation of Tosca and have agreed to share their impressions with La Cieca and the rest: “The death of Puccini’s Tosca was much exaggerated, in fact it did not take place.” “After about 34 years of going to the opera, I don’t think I’ve ever left a […]
[SPOILER ALERT! MAY CONTAIN DETAILS YOU DON’T WANT TO SEE BEFORE YOU ATTEND THE PRODUCTION!]
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