HERE’s Zoom opera, all decisions will be made by consensus, is not merely an opera written to be performed on a digital platform, but an opera that critiques the platform itself, laying bare all its social and aesthetic limitations.
I’m only now coming up for air after a night spent wading in the deep, cool, refractory waters of Magdalene, a work of immense, mythic joy and pain wrapped in the details of the ordinary.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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