In Memoriam Raymond Leppard
Trove Thursday acknowledges the late Raymond Leppard‘s important influence with a live broadcast of his seminal “realisation” of Cavalli’s L’Ormindo plus some Cavalli and Monteverdi tidbits with Janet Baker.
32 pieces since 2007 — in 7 roles, at 6 companies, most often at Carnegie Hall.
Trove Thursday acknowledges the late Raymond Leppard‘s important influence with a live broadcast of his seminal “realisation” of Cavalli’s L’Ormindo plus some Cavalli and Monteverdi tidbits with Janet Baker.
Thanks to the generosity of a parterre reader, “Trove Thursday” presents a rare recording from the famed Carnegie Hall series curated by Matthew Epstein to commemorate Handel’s tercentenary.
All of the operas of Giuseppe Verdi contain music that is worth hearing and can be rewarding in good performances.
On this day in 1992 the Metropolitan Opera presented a new production of Lucia di Lammermoor directed by Francesca Zambello (not pictured.)
Two problematic 1990s Donizetti daughters
Last year, La Cieca dedicated a blog post to a production of Salomé scheduled to take place in the Palais Opéra in Liège, with two surprising late career debuts by June Anderson as Salomé and Kammersängerin Mara Zampieri as Hérodiade. Now, a year later, I could not resist La Cieca’s request for a review, especially […]
Produced at Carnegie Hall by Matthew Epstein in 1983 with June Anderson, Marilyn Horne, Samuel Ramey and Douglas Ahlstedt with Henry Lewis conducting.
As a diehard completist I felt guilty as the Met’s scattered, campy revival of Semiramide lumbered toward its abrupt conclusion after nearly four hours.
Semiramide produced at Carnegie Hall by Matthew Epstein in 1983 with June Anderson, Marilyn Horne, Samuel Ramey and Douglas Ahlstedt with Henry Lewis conducting.
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