The farce of destiny
The chaos is nonstop, the comedy is broad and physical, and requires a large ensemble of singers who can execute Rossinian polysyllabic patter while taking pratfalls.
75 pieces since 2006 — in 23 roles, at 13 companies, most often at Metropolitan Opera.
4 pieces as La Scala — stats above show all coverage for Juan Diego Florez.
View allThe chaos is nonstop, the comedy is broad and physical, and requires a large ensemble of singers who can execute Rossinian polysyllabic patter while taking pratfalls.
Armide with a superbly grand Francophone heroine in Karina Gauvin and conducted by the always excellent Ivor Bolton.
If opera as a genre in justified in its claim to one particular story, history confirms that the Orpheus myth would be that story.
It is quite unusual to stage a new indoor production in the middle of summer in Italy when so many outdoor venues are open, but general manager of La Scala Stéphane Lissner – who will leave next year – decided to close the first half of this Verdi-Wagner year with a beloved hit of il cigno di Busseto.
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