“So much for traditional sweetness and charm”
On this day in 1998 the Metropolitan Opera presented a new production of Le nozze di Figaro featuring Cecilia Bartoli as Susanna.
24 pieces since 2006 — at 2 companies, most often at Metropolitan Opera.
5 pieces as Metropolitan Opera — stats above show all coverage for Jonathan Miller.
View allOn this day in 1998 the Metropolitan Opera presented a new production of Le nozze di Figaro featuring Cecilia Bartoli as Susanna.
When a work is named for its lovers one might legitimately expect that pair to dominate its performance but in my experience that is never the case with Debussy’s Pelléas et Mélisande.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
It’s a sad story, really. Debussy and Maeterlinck had what the kids would call Major Drama over who was to sing Melisande (Mary Garden vs. the person you’ve never heard of) and so Maeterlinck didn’t see Pelleas until years after Debussy had died, so he never got to be like “word!” or, I suppose, “mot!”
Our JJ‘s review of the Met’s revival of Le nozze di Figaro didn’t make it into today’s New York Post for reasons that you should be able to figure out once you’ve read the piece. At the suggestion of his editor, La Cieca is publishing it here.
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