Palette knives out
Lincoln Center is in full diva mode. Or at least that is what it seemed as I passed the line of posters outside Alice Tully Hall for the forthcoming Maria Callas biopic.
14 pieces since 2013 — at 3 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for John Macfarlane.
View allLincoln Center is in full diva mode. Or at least that is what it seemed as I passed the line of posters outside Alice Tully Hall for the forthcoming Maria Callas biopic.
This Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
Soprano Iulia Isaev proved to be in just about every way a lovely Tosca.
A Met HD cinema broadcast of Puccini’s Tosca on Saturday, 27 January, concluded the first run of a production marked by upheaval in the ten months between its announcement and its New Year’s Eve premiere.
The Met got exactly what it asked for: a safely opulent, resolutely unchallenging Tosca that was far from shabby or little but couldn’t have been less shocking
Friday’s season premiere at the Met of Donizetti’s opera about the doomed Scottish queen proved surprisingly satisfying and a genuine success for Sondra Radvanovsky.
It’s easiest to write reviews when there are soaring triumphs and miserable failures.
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