There are a number of fine elements in this film, and a couple that are exceptional—but I can’t get over the wrongness of its look.
This Cat seems more together than most. Unlike many of the teleplays we’ve considered so far, this one is actually directed by a Tony-winning theater director, and I’d venture that accounts for its relative success.
Yet there remain some memories and impressions I know we’d both like to share—on a few stage performances, memorable in various ways, so how about one more roundup?
Katharine Hepburn is better than I remembered, including making a reasonable attempt at a Southern accent. And, of course, there is distinctive star quality to burn, as well as interpretive intelligence.
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