The inaugural New Orleans Opera Festival goes big across the Big Easy.
On this day in 1961 the Metropolitan Opera presented the historic debuts of Leontyne Price and Franco Corelli in Verdi’s Il trovatore.
I often think of Boys in the Band as the gay play equivalent of Kern and Hammerstein’s Show Boat—it’s hugely important in theater history, but the politics have become extremely problematic.
The cultiest of cult musicals, an All-American take on the Iliad and the Odyssey, the spectacularly witty Golden Apple of John Latouche (words) and Jerome Moross (music), opened Off Broadway in 1953 to some acclaim.
You might be surprised, though, when that title turns out to be Show Boat.
If you are of the belief that Show Boat can stand on its own as a classic score and thus doesn’t need the trappings of musical production, you’ll love the New York Philharmonic’s “semi-staged” production.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.