Preaching to the choir
Unfortunately, LOC’s Proximity works only fitfully.
6 pieces since 2010 — in 6 roles, at 4 companies, most often at LA Opera.
Unfortunately, LOC’s Proximity works only fitfully.
Michael Spyres’s nobly moving Idomeneo wasn’t just a bravura triumph: singing strongly throughout, he brought more colors to his portrayal of the tortured king than I had experienced from others in the Ponnelle production.
Riccardo Muti’s vision of Aida’s score largely emerged as one of subtlety, musicality, and restraint.
I entered the Dorothy Chandler Pavilion on Saturday night for LA Opera’s 30 year old revival of their production of Salome with a combination of enthusiasm and apprehension.
In 1890 Cavalleria rusticana had taken the whole world by storm and in the next decade or so, hordes of composers, willing or unwillingly, jumped on the Verismo bandwagon. La navarraise (1894) is generally considered Jules Massenet’s homage to the genre, and for a long time the two works were often performed together. Emma Calvé, […]
Remember that time you went to the opera and the whole evening was like magic? Saturday night at the Dorothy Chandler Pavilion probably ranks among my greatest nights in the theater and I’m finding the superlatives in my thesaurus inadequate to the task.
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