I finally get to complete my personal operatic Top Ten this week with Igor Stravinsky’s only full-length opera, The Rake’s Progress.
Zolotoy pyetushok (translated as The Golden Cockerel in English, is best known in these parts as Le Coq d’Or.
What to do with all those glorious short operas: play them alone or find companion pieces?
Sometimes when you find the club that will have you as a member, you do not easily give up your spot.
With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.
If only—if only half the creativity and spectacle that Encompass New Opera Theatre has lavished on its lively production of The Astronaut’s Tale (at the BAM Fisher through Sunday) had been expended on the pretentious libretto by the late Jack Larsonand the quirky, unappealing score by Charles Fussell…
Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.
Say this about Oedipus: The character’s got staying power.
It seems a thing incredible but fifty years ago Richard Strauss was regarded as the wunderkind composer of a few tone poems, three notable operas (all produced before the First World War) and then nothing notable during forty years of repetitious senility. Even Ariadne auf Naxos, today one of the most popular works in the…
Igor Stravinsky was a bit of a musical shapeshifter in his day, especially when compared to his contemporaries in early 20th century Europe. Given, the time in which Stravinsky was living in Europe was one of the most dynamic periods in recent history, but few were able to consistently generate music of such varying style…
James Levine: Celebrating 40 Years at the Met includes not only unreleased video performances on DVD but also live radio broadcasts on CD. This performance is one of the latter, originally heard April 19, 2003. The Rake’s Progress has one of the greatest operatic pedigrees of all time. It was inspired by a series of…
Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama.
The legendary mezzo-soprano of the Russian Soviet period, Zara Dolukhanova, died last week at the age of 89. Though she excelled in brilliant Rossini roles in the opera house, her greatest success was as a recitalist. Dolukhanova’s broad repertoire included music from arie antiche to Prokofiev and Stravinsky; unusually for Soviet-era singers, she often included…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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