Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
An invigorating double bill at the San Francisco Symphony challenges how Bach “should” be performed.
This showcase concert gave notice that countertenor Hugh Cutting is among the most promising artists of his generation.
On this past, rainy Thursday, the Orchestra of St. Luke’s delivered a really rather extraordinary performance of the St. Matthew Passion. To me, this evening was a fascinating exploration of work.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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